“Marginalia” opens in Oslo

Magne and Lars Saabye Christensen have collaborated on 27 monotypes together

Magne and Lars Saabye Christensen have collaborated on 27 monotypes together

Magne’s latest exhibition Marginalia, for which he has collaborated with renowned Norwegian author Lars Saabye Christensen, opened on Thursday 4 February at Galleri Norske Grafikere in Oslo.

Marginalia consists of a selection of monotypes on paper they have worked on together, where Saabye Christensen has contributed sentences in Norwegian, plus Magne’s own larger monotypes on canvas, where he has used words in English.

The artist and the author

The artist and the author in front of their works
(Picture by NTB Scanpix)

“We speak the same language. We wanted to do something together in the same room, combining Magne’s visual world and my own literary world”, Saabye Christensen says in an interview with NTB.

The idea for the exhibition came about through what they call a “common grieving process”, after the film version of Saabye Christensen’s book Beatles didn’t end up as they had hoped. “Not all visions were realized”, Magne says dryly.

This is not the first time the two of them have worked together. In addition to composing the score for Beatles in 2014, Magne composed the score for Ti Kniver i Hjertet (with Kjetil Bjerkestrand) in 1994, which was based on a book by Saabye Christensen.

When Magne held his Foci exhibition in 2004, Saabye Christensen wrote the foreword in the exhibition catalogue. And in 1991 he collaborated with a-ha on the NRK TV special Østenfor sol og vestenfor måne.

Marginalia is open until 28 February.

Media coverage:
TV: NRK Østlandssendingen
Radio: P2-portrettet (25-minute interview with Magne)
Instagram: Picture 1    Picture 2

Apparatjik to perform at Bergen International Festival in June

Magne Furuholmen, Martin Terefe, Concha Buika and Jonas Bjerre, as they are presented on the Bergen International Festival's website

Magne Furuholmen, Martin Terefe, Concha Buika and Jonas Bjerre, as they are presented on the Bergen International Festival’s website

In addition to being the new chairman for Bergen International Festival, Magne will also be performing at this year’s festival together with Apparatjik.

This will be a special performance, inspired by the true story of “the ape woman” Julia Pastrana, where Magne, Jonas Bjerre and Martin Terefe will be joined by Concha Buika and Void. Some info from the festival’s website:

The Day of the Dead is a colorful Mexican festival that eases the spiritual passing of those who have died. This festival is central when Apparatjik, in collaboration with Void and Mexican artists Laura Anderson Barbata and Concha Buika, present a staged concert production to honor Julia Pastrana both as an individual and an artist.

“The story of Julia Pastrana is one of the most fascinating stories I have ever come across, both as an artist and as a fellow human being”, Magne said back in 2013, when he announced plans of an opera based on the Julia Pastrana story.

The Apparatjik performance will be held at Grieghallen on 3 June 2016. Tickets are available now from billettservice.no.

Magne appointed new chairman for Bergen International Festival

Magne interviewed in Bergen, 2 February

Magne interviewed in Bergen, 2 February

Magne Furuholmen has been appointed new chairman for Festspillene i Bergen (Bergen International Festival), for the period 2016 – 2019.

This was announced at a press conference in Bergen today, where Magne was present alongside the festival’s artistic director Anders Beyer.

For two weeks in May and June each year, Bergen International Festival presents a variety of performances within music, theatre, dance, opera and visual art. Being the chairman is a prestigious position, which will take up much of Magne’s time in the coming years.

The Norwegian Minister of Culture, Linda Hofstad Helleland, says in a press release posted on a-ha.com:

Bergen International Festival is a central power source in Norwegian art and culture, and I am pleased that one of Norway’s foremost and versatile artists has accepted the important position of chairman. With his international network and wide experience, Magne Furuholmen will strengthen the Festival in the years to come.

Magne himself says he is honoured to accept the new position:

The position as chairman for Bergen International Festival is a great honour and a prestigious national responsibility. The high level of artistic quality maintained throughout the years is very impressive. My role as chairman will be to facilitate further development of the festival’s international orientation, and build on the good work by the administration and former chairman.

Magne tells Bergensavisen that he was surprised when he was asked to take the position a few weeks ago:

“I didn’t say yes right away. This was a question that I needed some time to think about. I was worried whether I was ready for such a big task. At the same time I felt I would have been a coward if I declined.”

Bergen International Festival 2016 is held from 25 May to 8 June.

Links to Norwegian media coverage:
NRK Hordaland: Vil gjøre Festspillene til verdens viktigste festival
Bergensavisen: – Ville vært feigt å si nei
Bergens Tidende: A-ha-Magne blir ny leder for Festspillene
Vårt Land: Furuholmen: – Ville vært feigt å si nei
Dagbladet: A-ha-stjerne blir styreleder for Festspillene i Bergen
Budstikka: a-ha-Furuholmen ny styreleder for Festspillene

Video: NRK Vestlandsrevyen

Morten in Brazil to shoot TV commercial

Morten has been in Brazil over the last few days, to shoot a TV commercial for Hydro.

According to P4, the commercial is directed by Norwegian director and photographer Reinert K. Olsen aka Ray Kay, who has previously done music videos for artists like Lady Gaga, Justin Bieber, Britney Spears and Beyonce, as well as commercials for brands such as Pepsi and AT&T.

A promo reel of his previous work can be seen on Vimeo.

Ray Kay also did two commercials for Hydro last year, which can be seen here and here. Earlier today he posted some photos from the current shoot in Brazil on his Facebook page.

A number of fans have had their photos taken with Morten in Sao Paulo and Belém since Friday. Here are some of them:
Picture 1   Picture 2   Picture 3   Picture 4   Picture 5   Picture 6

Icelandic concert dates rediscovered

Paul and Morten on stage in Reykjavik, 17 July 1987 (Picture from the newspaper Þjóðviljinn)

Paul and Morten on stage in Reykjavik, 17 July 1987
(Picture from the newspaper Þjóðviljinn)

Drummer Øystein Jevanord was interviewed by Christopher Hopkins for the Headlines and Deadlines fanclub magazine back in 2007, in which he mentioned that a-ha did two concerts in Iceland near the end of their first world tour in 1987, following the Japanese leg in June/July. The former Bridges drummer toured with a-ha as an extra percussionist that summer, but in the interview with Hopkins he didn’t share further details about these dates.

Strangely, those two concerts hadn’t been mentioned anywhere else that I was aware of. They hadn’t appeared on any lists of tour dates, neither online nor in a-ha books. In the following years no further details emerged about these mysterious dates.

However, a while ago I was searching through an Icelandic newspaper archive and found solid evidence that these two concerts actually happened.

"Gítarleikari" (guitarist) Paul and "hljómborðsleikari" (keyboardist) Magne in Reykjavik, 17 July 1987(Pictures from the newspaper Morgunblaðið)

The “gítarleikari” and the “hljómborðsleikari” in Reykjavik, 17 July 1987
(Pictures from the newspaper Morgunblaðið)

The concerts were held at the indoor arena Laugardalshöll in Reykjavik on 17 and 18 July 1987. They seem to have been late additions to the summer tour and were first announced a couple of months before, on 19 May. This may be why the dates largely went under the radar back then. One of the press reviews seem to say 4000 people attended the first concert.

On 17 July, prior to the first concert, the band also attended the Icelandic premiere of The Living Daylights. This is something they have later mentioned in interviews; how they couldn’t attend the world premiere in London because they were on tour in Japan, but did manage to attend the Icelandic premiere instead.

Adding these shows to the previously rediscovered 1987 Japanese dates, this brings the total number of concerts on the 1987 summer tour up to 25. See the updated list of 1986/87 tour dates here.

Spellemann nomination

a-ha have been nominated for the 2015 Spellemann Awards, in the Pop Group category, for their Cast In Steel album.

This is the first time since Minor Earth ⎜ Major Sky in 2000 that a-ha have been nominated in this category.

The award show is held at Oslo Spektrum on 30 January, and will air live on NRK1.

See a list of all the nominated artists here.

“Flags In The Air”

Cover artwork

Cover artwork

Magne’s youngest son Filip Clements has recently been posting some of his own music on Soundcloud. The latest track “Flags In The Air” is a song written by Magne, and recorded as a duet between the two of them.

Magne posted a link to the song on Instagram today:

“hohoho…as a little yule-tide treat, head over to soundcloud – for a father/son duet of ‘flags in the air’. i originally wrote this song for the a-ha album, but no one else wanted it on the record, so instead here is a demo to complete(?) your happy holidays. 🎅 merry xmas to my loyal insta-followers!”

a-ha.com has additional info about the song, including the lyrics.

New a-ha book: ‘Living a Fan’s Adventure Tale’

Book cover

Book cover

British writer Greg Lansdowne has written a new book called Living a Fan’s Adventure Tale: a-ha in the Eyes of the Beholders, which aims to describe how a-ha’s music has made an impact on fans around the world.

The 128-page book will be published by Wymer on 4 March 2016, and can be pre-ordered from Amazon.co.uk, Amazon.de and Amazon.com.

Here’s a quote from the book description provided by the publisher:

“Fans from around 50 different countries have been willing to share their wide and varied memories of following the band for this book, in a celebration of what has made a-ha so popular across the globe for three decades. With other contributions from musical collaborators and journalists who have interviewed the band, and academics in fandom, this is a thorough study into the career of the three Norwegians, lavishly illustrated throughout with fans snapshots and personal photos of the band. Living A Fan’s Adventure Tale gets to the heart of what it really means to be a fan and is a must-read for all devotees as it puts into words why a-ha endures in the minds of millions of people.”

More details about Living a Fan’s Adventure Tale and the process of writing the book can be found in an article written by Lansdowne on a-ha.com.

According to Lansdowne, a-ha collaborators such as Leif Johansen, Ian Wherry, Jørun Bøgeberg, Per Lindvall and Frode Unneland have all contributed to the book.

a-ha interviewed by Bergensavisen

One of the reporters who interviewed a-ha at the press conference in Bergen last week was Ørjan Nilsson from Bergensavisen (BA). Below are a few translated quotes from that interview. The original video can be seen at ba.no.

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BA: Morten, you’re the one who’s been closest to the a-ha material during the last five years, as you played a selection of a-ha songs on your solo tour in 2012. What’s the biggest difference between playing a-ha songs with Paul and Magne and playing without them?

Morten: I might be tempted to say something funny here (laughs). No, but playing without them will never be a-ha for me, or anyone else. If I’m backed by another band on stage, that’s not a-ha. Not today and not tomorrow. That’s just how it is. At the same time, a-ha is a big part of my identity, so it isn’t necessarily wrong to play those songs [at solo concerts]. In certain settings it could be the right thing to do.

When I was planning my first solo tour [after a-ha split up] in 2012, there was a lot of pressure from promoters who wanted me to play a-ha songs, as they felt that the audience would expect that. I disagreed with them, as we had already toured a lot with a-ha [in the years prior]. It’s not like the fans don’t want to hear the a-ha songs, but when I go on a solo tour they’re coming to hear my solo material.

So that was a difficult decision to make, because it’s not wrong to play the songs per se, they are important songs to me. At the same time, there needs to be a solid identity to what you’re doing. So I let go of that on the next tour, with the Brother album, and that is the right thing to do. But exceptions may occur. There may be situations where it feels appropriate [to do a-ha songs].

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BA: 2015 is quite an anniversary year for a-ha, in connection with Hunting High and Low and “Take On Me”. But you have also released new deluxe editions of Memorial Beach and East Of The Sun, West Of The Moon. What’s it been like to revisit that material, which fans don’t get to hear too often at concerts?

Magne: Well, I wouldn’t say that it’s something we have released, it’s rather Warner Brothers who have chosen to put together these reissues. But there aren’t too many albums that get such a treatment, so I’d have to say that I’m proud that they’re celebrating material that we did 30 years ago. And they’re not doing this just to be nice, it’s because they see that there’s still a lot of love for the band, around the world.

And of course a lot of demos and unreleased material has been added. For each new reissue, increasingly more obscure things are uncovered. I can imagine the 50th anniversary, when we begin to search the very bottom of our drawers for unreleased stuff (laughs). But it’s definitely an honour for us.

Morten: That is a dilemma for us as a band, though. I think all three of us would like to play other songs than just the most well-known. At the same time, people are going to a concert with certain expectations, and it would be wrong not to cater to that. But we would gladly have done a tour where we only play the more “hidden” songs. That would have been an exciting tour.

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Paul: We have done deluxe editions before, and now we’re even releasing super deluxe editions (laughs). But I actually think it’s very cool, because a lot of those old demos, even if they aren’t that fancy, they contain the very core of a-ha – often more so than the finished versions.

BA: It’s been 28 years since your first concert in Bergen, at Bergenshallen on 1 February 1987. What do you remember from back then?

Morten: I’m drawing a complete blank here.

Magne: I can’t say that I remember much details.

Paul: I remember playing tennis before the concert.

Morten: You remember that?!

Paul: Yeah, I actually do (laughs).

Morten: You’re fucking weird.

Magne: So that was apparently the highlight for you – nailing that serve (laughs).

Paul: Yes!

Video: Morten at The Batcave in 1983

Morten dancing at The Batcave, 1983

Morten dancing at The Batcave, 1983

A very early video clip, quite possibly Morten’s first TV-appearance, is currently making the rounds among a-ha fans.

The clip in question is taken from a 7-minute report about The Batcave nighclub in Soho, London, which is considered to have been the “birthplace of the Southern English goth subculture”. The report aired sometime in 1983 on the programme “Reporting London” on London Weekend Television (LWT).

Although the clip was uploaded to YouTube in 2010, it wasn’t discovered until recently that Morten appears in it. He can be seen for a few seconds on the dancefloor, wearing one of his self-designed outlandish outfits from that time. All three a-ha members were frequent guests on the London club scene in the early a-ha years.

The clip can be seen on YouTube here. Morten appears at 5:35.

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