Archive for the ‘Magne’ Category

Magne in 55pluss magazine

Magazine cover

Magne is on the cover of the latest issue of 55pluss, a Norwegian magazine for – you guessed it – people over the age of 55.

Inside there is an 8-page interview about his art career, in which he talks about past projects such as “Payne’s Gray” and “Climax”, as well as new series of artworks including “Stigma” (woodcuts), “Spina” (etchings) and “Queen vs Queen” (sculptures).

The interview was done before the opening of his solo exhibition of new works at Bærum Kunstforening on 3 May this year.

A shortened version of the same interview has previously been published by the online art magazine PLNTY.

This summer, in between a-ha concerts, Magne held three further solo exhibitions around Norway:

23 June – 5 August: “Sorgenfrei”, Galleri Jennestad, Sortland
16 August – 16 September: “Stigma”, Galleri Ismene, Trondheim
19 August – 16 September: “Icon”, Haugesund Billedgalleri, Haugesund

Apparatjik events in Sweden and Poland

Exhibition poster

This month marks the 10th anniversary of Apparatjik, as their very first single “Ferreting” was released in September 2008.

Tomorrow a retrospective exhibition of Apparatjik’s various projects over the years, with graphic prints and video installations, will open at Pumphuset gallery in Landskrona, Sweden. The exhibition will also feature new graphic prints, created in collaboration with the New York-based artist Foxito.

Magne, Martin and Jonas was at the gallery yesterday to meet the local press. A picture was posted on Magne’s Instagram and articles later appeared on the websites of Helsingborgs Dagblad and Landskrona Direkt.

The Pumphuset exhibition will be on display until 28 October.

There will also be a retrospective Apparatjik exhibition as part of the MDF Festival in Szczecin, Poland, opening on 19 September:

This exhibition presents a retrospective look at visual works, objects, books and films from the Apparatjik oeuvre. Part of the exhibition is an experimental typographic poster wall by students of Prof. Sven Völker from the University of Applied Sciences in Potsdam. Using words and sentences from old newspaper articles about Julia Pastrana, the work creates a fresh portrait of the life and death of an exceptional woman.

And as previously mentioned, Apparatjik will also be performing during the MDF Festival, on Sunday 23 September at the Szczecin Philharmonic Hall.

The first part of the concert is called “The Sound of Szczecin”, and has been created in a partly similar way as “The Sound of Fosnavåg” four years ago, in collaboration with Audiokolor:

This composition is the result of an exceptional project carried out on 17th and 18th April 2018 in Szczecin. The city streets were cruised by specially marked cars equipped with devices collecting geodata from the streets, which were later transformed into binary codes, and these – into music codes. (…) The piece will be performed for the first time during the final of the MUSIC.DESIGN.FORM festival by the Szczecin Philharmonic Symphony Orchestra and the synth-pop group Apparatjik. It will be a unique opportunity to hear how Szczecin sounds.

The second part of the concert is called “A Heroine for our time – the artist Julia Pastrana”, and will once again feature special guest Concha Buika on vocals:

“A Heroine for our time – artist Julia Pastrana” is the world premiere of the orchestral version of the song “Heroine of our time”, based on musical material for an upcoming opera detailing the tragic life of Mexican circus artist Julia Pastrana. The story of a peculiar woman with a beard, her fate and loneliness, will be told by music and light images created jointly by Apparatjik, Szczecin Philharmonic Symphony Orchestra, as well as Concha Buika – a Spanish vocalist and composer.

A video clip of Rune Bergmann and Magne talking about the upcoming Szczecin performance can be seen here.

The story of Julia Pastrana was also the inspiration for Apparatjik’s “Day of the Dead”-performance with Buika in Bergen two years ago. Buika’s latest single “Deadbeat”, released in June, is a cover version of the Apparatjik song from 2010.

Magne Furuholmen appointed honorary doctor at the University of Agder

Now also an honorary doctor

In connection with its 10th anniversary, the University of Agder in Kristiansand, Norway, has appointed Magne Furuholmen as one of five new honorary doctors. The recipients are given the honorary doctorates for their “significant scientific or artistic efforts”.

An article on the university website states:

“Magne Furuholmen is one of Norway’s most recognized and versatile artists. He is an innovative and genre-defying artist, and a person that both our staff members and students are inspired by.

With his large international and national network, his wide experience and artistic qualities within several fields of art, he will be a valuable asset for both the University of Agder and our Faculty of Fine Arts.”

When collaborating with the university, Magne will probably be working closely with Karl Oluf Wennerberg, who – in addition to being the drummer for Magne, Apparatjik and a-ha – is an Associate Professor at the Department of Popular Music.

The five honorary doctors will attend the University of Agder’s 10th anniversary celebration at Kilden concert house in Kristiansand on 28 November.

Magne has previously been a guest professor at the The College of Fine Arts in Shanghai, China and is an honorary mentor at the Gutenberg Academy in Germany. He has also hosted workshops at the Hanoi University of Fine Art in Vietnam, at Burg Giebichenstein University of Art and Design in Germany and at the Trondheim Academy of Fine Art in Norway.

In other news, Magne and Queen Sonja were in Aarhus, Denmark on Thursday this week, for the opening of another of their joint Texture exhibitions.

The exhibition at Galerie MøllerWitt in Aarhus received quite a bit of coverage in the Danish press, and here are some links:

DR: Dronning Sonja udstiller med norsk popstjerne
Horsens Folkeblad: Dronningen og popkongen åbnede udstilling i Aarhus
Jyllands-Posten: Norges dronning i fælles kunstprojekt med popmusiker
Lokalavisen Aarhus: Dronningen og A-ha-stjerne viser kunst i Aarhus
Århus Stiftstidende: Rift om Dronning Sonjas kunst
Kongehuset.no: “Texture” i Århus

Magne: “The tour keeps growing”

Magne promises an “electric summer”

When tickets for the a-ha concert in Hamar were released on Tuesday, 8,000 out of 10,000 available tickets were sold within a short time.

“It’s good to hear the tickets are selling well. And it’s nice to be playing somewhere we haven’t been before. Hamar has built a good reputation as a city for concerts, and has had visits from both Sting and Elton John lately. It’s really fun to be a part of establishing and building new, solid venues for people to experience live music”, Magne says in an interview with Hamar Arbeiderblad (paywall).

Although only five summer concerts in Norway have been announced so far, a lot more shows will be added in other countries:

“We’re doing a small unplugged tour in Europe early next year, which has lead to a lot of requests for a summer tour. So we decided to set aside the summer for touring, which has since been extended in both ends. The tour keeps changing and growing from day to day.”

But, as we know, the summer tour will not be unplugged:

“The two concerts [at Giske] formed the basis for the [MTV Unplugged] recording and TV-special, but we’re not sure if we’ll keep touring with that concept. Those are vulnerable instruments that are difficult to bring on tour. It’s a somewhat more demanding format, and with less energy than a fully electric show. We did some pondering if we should continue unplugged, or if we’d celebrate the summer with full power. We’ll be playing a number of football stadium concerts in the UK next summer, which naturally means we’re doing a full ‘electric summer’.”

“We have expanded our backing band for the unplugged tour, and we’ll keep going with a larger band. There will be full power at Hamar. We’re coming to create a good vibe, as best we can”, Magne says.

Apparatjik to perform in Poland

Magne on stage with Apparatjik in Bergen, 3 June 2016

Last month Magne paid a visit to Szczecin in Poland, which was mentioned by the Szczecin Philharmonic Hall on Facebook.

In an interview with Dagbladet (paywall) about his new Imprints book and the Summer Solstice album, Magne mentions the reason why he was in Poland:

“I recently visited Szczecin in Poland, to check out the concert hall where I’ll be performing with Apparatjik during the Music and Design Festival next year. That gave me an opportunity to hear Szczecin Philharmonic Orchestra rehearsing a symphony by Mieczyslaw Karlowicz, which sounded wonderful and was a nice discovery for me.”

The exact date is yet to be confirmed, but this will be Apparatjik’s first live performance since Day of the Dead feat. Buika and Void during Bergen International Festival in June 2016. Check out an extended video from Day of the Dead recently posted by Void here.

Magne’s new book ‘Imprints’

Book cover

Magne’s new art book Imprints will be published here in Norway tomorrow, October 4th. The publisher Forlaget Press has posted a picture of him holding the book on Facebook.

The 368-page lavishly illustrated coffee table book documents the process of creating the “Imprints” sculpture park at Fornebuporten and includes around 60 of the poems that formed the basis of the text fragments punched into the various sculptures, presented here in their original form for the first time. The book is priced at 799 kr (£75).

Some info from the publisher:

“Oslo’s Fornebuporten business and residential district boasts its own sculpture park, Imprints, featuring ceramic works by the Norwegian artist and musician Magne Furuholmen.

Furuholmen has created totemic sculptures of glazed and unglazed ceramic on an incredible scale – the largest is taller than 19 feet high – and arranged them around the site, placing some in freestanding positions and installing some in granite pools. Playing with and against the sleek modern architecture of the surrounding Fornebuporten complex, the artist chose self-consciously archaic forms (like amphorae, columns and sarcophagi) and traditional materials and techniques in developing “Imprints.” The sculptures are covered with words, letters and shapes punched or pushed directly into the material surfaces. Imprints documents this amazing project.”

Next Thursday, 12 October, there will be a Norwegian launch of Magne’s collection of limited edition carpets for Urban Fabric Rugs at Expo Nova in Oslo, where he’ll also present the new Imprints book.

The book will probably also be available at his upcoming sales exhibition Literary Constructs at Nes Kulturhus in Årnes later this month, from 21 October – 28 October.

Magne designs pink ribbon pin for Breast Cancer Awareness Month

Magne wearing his pink ribbon design pin

This year Magne was asked by the Norwegian Cancer Society to create a design pin based on the international pink ribbon symbol, in connection with Breast Cancer Awareness Month in October. He follows Norwegian artists such as Nico Widerberg and Camilla Prytz, who have also made pink ribbon design pins in recent years.

Magne’s design pin

“I wanted to somehow remove it from the dolled up and feminine and create something that young guys and old men like me would also like to wear. It felt natural to base it on the woodcut technique, as it has an inherent roughness to it. Since I work a lot with letters and text, that was my starting point. And then I realized that the ‘f’ at the end of my signature is in some ways a ribbon. Only upside down”, Magne says in a new video clip about his design pin.

Magne’s design pin can be purchased from the Norwegian Cancer Society’s web shop (only ships within Norway). The price is 100 kroner, with all proceeds going to breast cancer research. The pin is also for sale at Lindex, Mester Grønn, Vitus Apotek and Kid Interiør. Magne has also recorded a radio ad in connection with this year’s campaign.

“Texture” opening in Bodø

“It’s great to be back in Bodø”, Magne told NRK

Magne was in Bodø last Thursday, March 9th, for the opening of another exhibition of his Texture collaboration with HM Queen Sonja. This is the fifth out of six planned Texture exhibitions in Norway and the UK.

“It’s fun for me to see this exhibition [in Bodø], as it includes some works that haven’t been shown before. Particularly the monotypes, unique prints that we have made together with double signatures, are quite special”, Magne told the audience at the opening in Bodø Kunstforening.

“Some of these works were made in New York, some at my atelier in Asker, some at the Queen’s atelier at Mågerø, some in Helsingborg and some were made in Copenhagen.”

A gallery of pictures from the opening has been posted on Bodø Kunstforening’s Facebook page, along with two video clips of Magne speaking (Video 1 / Video 2).

Press reports from the opening include an article at bodonu.no and a short clip on NRK Nordland‘s local TV news.

The following day Magne made a visit to Kjerringøy near Bodø.

The final stop on the Texture exhibition tour is at Gulden Kunstverk in Steinberg, where it opens on 29 April.

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Sadly, this weekend also brought news that the poet Henning Kramer Dahl passed away on 7 March from heart failure, at the age of 54. He was part of a-ha’s inner circle and knew the band members from early on.

In 1986 Kramer Dahl wrote the book Så Blåser Det På Jorden together with Håkon Harket, which chronicled the beginnings of Bridges and a-ha in the late 70s and early 80s. He would later collaborate with Magne on a number of projects, including Blåtoneboulevardene (1997), Stjerneskutt (2004) and In Transit (2013).

He also co-wrote the song “East-Timor” for Morten’s Wild Seed album in 1995.

Magne, Håkon Harket, Lasse Kolsrud and Fredrik Skavlan have written an obituary about Kramer Dahl in Aftenposten. “We have lost a very special person, an important presence in our lives, and the world has lost a distinctive poetic voice and an extraordinary intellect”, they write in the obituary.

Magne interviewed in Krigsropet

Cover of Krigsropet, #9/2017

Magne is on the cover of this week’s issue of Krigsropet, which is the Salvation Army’s magazine in Norway. Inside there’s a 6-page interview with him about his Imprints sculpture park at Fornebu near Oslo, which opened in June last year.

(Update: The full interview is now also available online.)

The park is comprised of around 50 ceramic elements, including the world’s biggest jars, with many of them incorporating Magne’s own poetry.

“Using those poems is somewhat risky, as they are of a personal, private character. In my way of writing there’s an inherent melancholy. That’s the case with a-ha as well. We look at melancholy as a force, a longing, something that liberates you from something heavy”, Magne tells Krigsropet.

The interviewer mentions how people have pointed out that his writings are often influenced by religion and theology.

“Wondering and searching for meaning is closely related to faith. Shifting between doubt and faith is a necessary principle to embody a message. I have done a lot of reading and I use things from my own upbringing and culture. As a visual artist I visit the churches in every city I go to, to get inspiration. There isn’t much difference between sitting in an atelier or a chapel, transported away from all outside noise. In concentration I find silence. The church room opens the door to contemplation, it creates a room for thought. But I’m more into asking the right questions than finding the right answers. Faith and doubt is something you’re always thinking about”, Magne says.

From Krigsropet, #9/2017

The interview also mentions that new features have been added to the sculpture park in recent months, in the form of clouds of steam that suddenly appear, to make the sculptures appear as living and breathing entities.

“This isn’t a park that shows itself off, instead it’s hiding. Sometimes we have to walk around and search for things. It’s a journey of discovery, and I hope it triggers a sense of wonder.”

As always, Magne is busy with a variety of different projects. In January he spent a week in Denmark with HM Queen Sonja, continuing their collaborative work on graphic prints. Their joint exhibition Texture will continue its tour at Bodø Kunstforening in Bodø (9 March – 2 April) and Gulden Kunstverk in Steinberg (29 April – 21 May).

And this summer he will hold a solo exhibition at Galleri G Guddal in Rosendal (1 July – 20 August).

Magne appears on new Janove Ottesen album

Janove Ottesen and Magne in Bergen, May 2016.
(Posted by Ottesen on Instagram)

Kaizers Orchestra vocalist Janove Ottesen released his second solo album Artisten & Marlene in Norway on 10 February.

According to a review of the album in newspaper Fædrelandsvennen (for subscribers only), Magne makes a guest appearance on one of the songs:

“[The song] ‘I Natt Blir Du Fri’ includes some very a-ha sounding synths, played by none other than Magne Furuholmen.”

The album was recorded at Duper Studio in Bergen last year.

Ottesen posted a picture of himself and Magne on Instagram last year, in connection with the a-ha concert in Bergen in May. He also attended Apparatjik’s Day of the Dead performance the following month.

The 15-track Artisten & Marlene album is available on CD, double vinyl and digitally.

In other news, Magne appeared at the Stockholm Furniture Fair on Friday, to present his new “Imprints” limited edition rug collection. See some pictures from the furniture fair here and here.

For more info on the rug collection, check out a new interview with Magne by Architectural Digest.

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