Archive for the ‘Magne’ Category

Apparatjik to perform in Poland

Magne on stage with Apparatjik in Bergen, 3 June 2016

Last month Magne paid a visit to Szczecin in Poland, which was mentioned by the Szczecin Philharmonic Hall on Facebook.

In an interview with Dagbladet (paywall) about his new Imprints book and the Summer Solstice album, Magne mentions the reason why he was in Poland:

“I recently visited Szczecin in Poland, to check out the concert hall where I’ll be performing with Apparatjik during the Music and Design Festival next year. That gave me an opportunity to hear Szczecin Philharmonic Orchestra rehearsing a symphony by Mieczyslaw Karlowicz, which sounded wonderful and was a nice discovery for me.”

The exact date is yet to be confirmed, but this will be Apparatjik’s first live performance since Day of the Dead feat. Buika and Void during Bergen International Festival in June 2016. Check out an extended video from Day of the Dead recently posted by Void here.

Magne’s new book ‘Imprints’

Book cover

Magne’s new art book Imprints will be published here in Norway tomorrow, October 4th. The publisher Forlaget Press has posted a picture of him holding the book on Facebook.

The 368-page lavishly illustrated coffee table book documents the process of creating the “Imprints” sculpture park at Fornebuporten and includes around 60 of the poems that formed the basis of the text fragments punched into the various sculptures, presented here in their original form for the first time. The book is priced at 799 kr (£75).

Some info from the publisher:

“Oslo’s Fornebuporten business and residential district boasts its own sculpture park, Imprints, featuring ceramic works by the Norwegian artist and musician Magne Furuholmen.

Furuholmen has created totemic sculptures of glazed and unglazed ceramic on an incredible scale – the largest is taller than 19 feet high – and arranged them around the site, placing some in freestanding positions and installing some in granite pools. Playing with and against the sleek modern architecture of the surrounding Fornebuporten complex, the artist chose self-consciously archaic forms (like amphorae, columns and sarcophagi) and traditional materials and techniques in developing “Imprints.” The sculptures are covered with words, letters and shapes punched or pushed directly into the material surfaces. Imprints documents this amazing project.”

Next Thursday, 12 October, there will be a Norwegian launch of Magne’s collection of limited edition carpets for Urban Fabric Rugs at Expo Nova in Oslo, where he’ll also present the new Imprints book.

The book will probably also be available at his upcoming sales exhibition Literary Constructs at Nes Kulturhus in Årnes later this month, from 21 October – 28 October.

Magne designs pink ribbon pin for Breast Cancer Awareness Month

Magne wearing his pink ribbon design pin

This year Magne was asked by the Norwegian Cancer Society to create a design pin based on the international pink ribbon symbol, in connection with Breast Cancer Awareness Month in October. He follows Norwegian artists such as Nico Widerberg and Camilla Prytz, who have also made pink ribbon design pins in recent years.

Magne’s design pin

“I wanted to somehow remove it from the dolled up and feminine and create something that young guys and old men like me would also like to wear. It felt natural to base it on the woodcut technique, as it has an inherent roughness to it. Since I work a lot with letters and text, that was my starting point. And then I realized that the ‘f’ at the end of my signature is in some ways a ribbon. Only upside down”, Magne says in a new video clip about his design pin.

Magne’s design pin can be purchased from the Norwegian Cancer Society’s web shop (only ships within Norway). The price is 100 kroner, with all proceeds going to breast cancer research. The pin is also for sale at Lindex, Mester Grønn, Vitus Apotek and Kid Interiør. Magne has also recorded a radio ad in connection with this year’s campaign.

“Texture” opening in Bodø

“It’s great to be back in Bodø”, Magne told NRK

Magne was in Bodø last Thursday, March 9th, for the opening of another exhibition of his Texture collaboration with HM Queen Sonja. This is the fifth out of six planned Texture exhibitions in Norway and the UK.

“It’s fun for me to see this exhibition [in Bodø], as it includes some works that haven’t been shown before. Particularly the monotypes, unique prints that we have made together with double signatures, are quite special”, Magne told the audience at the opening in Bodø Kunstforening.

“Some of these works were made in New York, some at my atelier in Asker, some at the Queen’s atelier at Mågerø, some in Helsingborg and some were made in Copenhagen.”

A gallery of pictures from the opening has been posted on Bodø Kunstforening’s Facebook page, along with two video clips of Magne speaking (Video 1 / Video 2).

Press reports from the opening include an article at bodonu.no and a short clip on NRK Nordland‘s local TV news.

The following day Magne made a visit to Kjerringøy near Bodø.

The final stop on the Texture exhibition tour is at Gulden Kunstverk in Steinberg, where it opens on 29 April.

———————

Sadly, this weekend also brought news that the poet Henning Kramer Dahl passed away on 7 March from heart failure, at the age of 54. He was part of a-ha’s inner circle and knew the band members from early on.

In 1986 Kramer Dahl wrote the book Så Blåser Det På Jorden together with Håkon Harket, which chronicled the beginnings of Bridges and a-ha in the late 70s and early 80s. He would later collaborate with Magne on a number of projects, including Blåtoneboulevardene (1997), Stjerneskutt (2004) and In Transit (2013).

He also co-wrote the song “East-Timor” for Morten’s Wild Seed album in 1995.

Magne, Håkon Harket, Lasse Kolsrud and Fredrik Skavlan have written an obituary about Kramer Dahl in Aftenposten. “We have lost a very special person, an important presence in our lives, and the world has lost a distinctive poetic voice and an extraordinary intellect”, they write in the obituary.

Magne interviewed in Krigsropet

Cover of Krigsropet, #9/2017

Magne is on the cover of this week’s issue of Krigsropet, which is the Salvation Army’s magazine in Norway. Inside there’s a 6-page interview with him about his Imprints sculpture park at Fornebu near Oslo, which opened in June last year.

(Update: The full interview is now also available online.)

The park is comprised of around 50 ceramic elements, including the world’s biggest jars, with many of them incorporating Magne’s own poetry.

“Using those poems is somewhat risky, as they are of a personal, private character. In my way of writing there’s an inherent melancholy. That’s the case with a-ha as well. We look at melancholy as a force, a longing, something that liberates you from something heavy”, Magne tells Krigsropet.

The interviewer mentions how people have pointed out that his writings are often influenced by religion and theology.

“Wondering and searching for meaning is closely related to faith. Shifting between doubt and faith is a necessary principle to embody a message. I have done a lot of reading and I use things from my own upbringing and culture. As a visual artist I visit the churches in every city I go to, to get inspiration. There isn’t much difference between sitting in an atelier or a chapel, transported away from all outside noise. In concentration I find silence. The church room opens the door to contemplation, it creates a room for thought. But I’m more into asking the right questions than finding the right answers. Faith and doubt is something you’re always thinking about”, Magne says.

From Krigsropet, #9/2017

The interview also mentions that new features have been added to the sculpture park in recent months, in the form of clouds of steam that suddenly appear, to make the sculptures appear as living and breathing entities.

“This isn’t a park that shows itself off, instead it’s hiding. Sometimes we have to walk around and search for things. It’s a journey of discovery, and I hope it triggers a sense of wonder.”

As always, Magne is busy with a variety of different projects. In January he spent a week in Denmark with HM Queen Sonja, continuing their collaborative work on graphic prints. Their joint exhibition Texture will continue its tour at Bodø Kunstforening in Bodø (9 March – 2 April) and Gulden Kunstverk in Steinberg (29 April – 21 May).

And this summer he will hold a solo exhibition at Galleri G Guddal in Rosendal (1 July – 20 August).

Magne appears on new Janove Ottesen album

Janove Ottesen and Magne in Bergen, May 2016.
(Posted by Ottesen on Instagram)

Kaizers Orchestra vocalist Janove Ottesen released his second solo album Artisten & Marlene in Norway on 10 February.

According to a review of the album in newspaper Fædrelandsvennen (for subscribers only), Magne makes a guest appearance on one of the songs:

“[The song] ‘I Natt Blir Du Fri’ includes some very a-ha sounding synths, played by none other than Magne Furuholmen.”

The album was recorded at Duper Studio in Bergen last year.

Ottesen posted a picture of himself and Magne on Instagram last year, in connection with the a-ha concert in Bergen in May. He also attended Apparatjik’s Day of the Dead performance the following month.

The 15-track Artisten & Marlene album is available on CD, double vinyl and digitally.

In other news, Magne appeared at the Stockholm Furniture Fair on Friday, to present his new “Imprints” limited edition rug collection. See some pictures from the furniture fair here and here.

For more info on the rug collection, check out a new interview with Magne by Architectural Digest.

Magne presents new exhibition and art book with Queen Sonja

Magne and Queen Sonja in front of one of the prints they have made together

Magne and Queen Sonja in front of one of the prints they have made together

Magne was in Bergen last weekend, to present a joint exhibition with Her Majesty Queen Sonja. The two of them have been collaborating on a new series of prints over the last year and a half, which has resulted in an exhibition called Texture.

Their work on Texture started in New York in April 2015, when they did three days of experimenting at the Universal Limited Art Editions workshop on Long Island.

“The Queen and I met about thirteen years ago at one of my exhibitions”, Magne said in an interview with Scandinavian Traveler last month. “I found her curiosity inspiring. She is dedicated in ways I rarely see in others, with an elastic and inquisitive mind. It was her curiosity that formed the basis of our artistic relationship.”

“Her personality and dedication to printmaking has allowed me to relate to her as a colleague and not as a queen. When we collaborated on prints, there was never any need to establish a set of roles. At the same time she wanted me to give her honest feedback”, Magne told A-magasinet on Friday, which featured a 12-page article about the project.

As well as opening the exhibition, they could present a brand new coffe-table book about their artistic collaboration called Grafikkens vinger. The Norwegian edition of the book, which features text by Lars Saabye Christensen, can be ordered from bokkilden.no. The book will also be released internationally.

The Texture exhibition is on display at Grieghallen in Bergen until 3 September, and can later be seen in several other cities:

– Galleri Ismene, Trondheim (23 September–23 October 2016)
– The Paul Stolper Gallery, London (27 September–23 October 2016)
– Ålesund Kunstforening, Ålesund (5 November–4 December 2016)
– Bodø Kunstforening, Bodø (9 March–2 April 2017)
– Gulden Kunstverk, Steinberg (22 April–14 May 2017)

Video clips:
Working on Texture – official video
Vestlandsrevyen – from the opening in Bergen (starts at 8 minutes)

Articles:
NRK Hordaland     Bergens Tidende     Dagbladet
Aftenposten     Budstikka     Kongehuset.no     TV2/Kongebloggen
Paris Match     A-magasinet (subscribers only)

Magne’s ‘Beatles’ score to be released on CD and vinyl in Japan

Cover of the Japanese CD version

Cover of the Japanese CD version

In connection with the release of the 2014 movie Beatles in Japan – where it’s called Yesterday – the film score by Magne Furuholmen will be released on CD and vinyl by the label Cinema-kan.

The CD is set for release on 7 September, while a limited edition vinyl LP with a different cover will be out on 5 October.

Magne’s score was only available digitally in Norway, so this is the first time it’s released in physical formats.

Both the CD and the LP can be pre-ordered from amazon.co.jp.

The movie itself premieres in Japan on 1 October.

Apparatjik’s “Day of the Dead” in Bergen

Apparatjik in Bergen, with striking visuals by Void (Picture by Thor Brødreskift)

Apparatjik in Bergen, with striking visuals by Void
(Picture by Thor Brødreskift)

Apparatjik presented a unique and captivating “Day of the Dead” performance at Grieghallen in Bergen on Friday, June 3rd, as part of Festspillene i Bergen (Bergen International Festival).

Magne Furuholmen, Martin Terefe and Jonas Bjerre were joined on stage by Spanish singer Concha Buika, a string quartet, plus Karl Oluf Wennerberg on drums and Even Ormestad on bass – all of them in appropriate face paint.

Songs played included “Deadbeat”, “Quiz Show”, “Look Kids”, “Arrow and Bow”, “Snow Crystals”, some new songs and songs by Buika in Spanish. Among the highlights was a Spanish version of Magne’s “In a Quiet Corner” – here is a little sample of it:

 
Buika’s intense presence and vocal delivery really took the show to another level, enhanced by the four solid musicians on string instruments.

The scenography by Void was amazing, with projections onto layers of see-through fabric on stage creating a stunning 3D-effect. Whereas the visuals Void created for a-ha’s “Afterglow” concert didn’t live up to the expectations, this time it really worked wonderfully.

Near the end of the show, Magne strapped on his electric guitar and rocked out with Karl Oluf and Even – listen here:

 
Although the Julia Pastrana story was merely hinted at, this was a spectacular, bizarre, funny, innovative and moving performance which will probably never be seen again in this form.

“Normally, a production like this would have been set up as a tour to try and make money on it. But we’d rather spend all the money and then some, to make it as cool as possible for one single night”, Magne told Bergensavisen.

Watch a short video clip from “Day of the Dead” on the Facebook page of Festspillene i Bergen. There’s also a photo gallery.

Earlier in the day, Magne, Martin and Jonas took a stroll around Bergen in full Apparatjik costume, together with Buika, inviting people to the concert. Bergensavisen has pictures from this and an interview with Magne. There’s also a video clip by Festspillene on Facebook.

Bergens Tidende had an interview with Buika on Friday (subscribers only), where she talked about her work with Apparatjik.

“I love this collaboration. The guys are crazy. This is one of the most incredible things I’ve done in recent years”, she says.

Buika, who first performed with Apparatjik at the opening of Fosnavåg Kulturhus in October 2014, got involved with the guys through Martin Terefe who produced her latest album.

“Martin asked me. And then Magne called. We met, and there was an instant chemistry. Magne is a maestro, a master. He is full of ideas and is able to change direction in seconds. That’s how I love to work.”

“Marginalia” opens in Oslo

Magne and Lars Saabye Christensen have collaborated on 27 monotypes together

Magne and Lars Saabye Christensen have collaborated on 27 monotypes together

Magne’s latest exhibition Marginalia, for which he has collaborated with renowned Norwegian author Lars Saabye Christensen, opened on Thursday 4 February at Galleri Norske Grafikere in Oslo.

Marginalia consists of a selection of monotypes on paper they have worked on together, where Saabye Christensen has contributed sentences in Norwegian, plus Magne’s own larger monotypes on canvas, where he has used words in English.

The artist and the author

The artist and the author in front of their works
(Picture by NTB Scanpix)

“We speak the same language. We wanted to do something together in the same room, combining Magne’s visual world and my own literary world”, Saabye Christensen says in an interview with NTB.

The idea for the exhibition came about through what they call a “common grieving process”, after the film version of Saabye Christensen’s book Beatles didn’t end up as they had hoped. “Not all visions were realized”, Magne says dryly.

This is not the first time the two of them have worked together. In addition to composing the score for Beatles in 2014, Magne composed the score for Ti Kniver i Hjertet (with Kjetil Bjerkestrand) in 1994, which was based on a book by Saabye Christensen.

When Magne held his Foci exhibition in 2004, Saabye Christensen wrote the foreword in the exhibition catalogue. And in 1991 he collaborated with a-ha on the NRK TV special Østenfor sol og vestenfor måne.

Marginalia is open until 28 February.

Media coverage:
TV: NRK Østlandssendingen
Radio: P2-portrettet (25-minute interview with Magne)
Instagram: Picture 1    Picture 2

Powered by WordPress