a-ha’s Hunting High And Low Tour off to a good start in Dublin

a-ha in Dublin, 29 October 2019
(Picture by Carlos Maciá)

The Hunting High And Low world tour 2019-2020 opened at the sold-out 9,000-capacity (seated) 3Arena in Dublin last night.

As expected, the first half of the concert was the full Hunting High and Low album, followed by ten other songs after a 20-minute break.

One big surprise was the very first live performance of a great new song written by Paul called “Digital River”. This is one of the songs from the Cast In Steel sessions in 2015 that didn’t make it onto the album.

While there weren’t any other surprises in the setlist, several of the song arrangements had been updated, and there were also cool new intros – like the way “Analogue” started after the break. “Dream Myself Alive” was performed similar to the original demo version.

And while a-ha had six backing musicians on last year’s Electric Summer Tour, it’s now back to three; Karl Oluf Wennerberg (drums), Even Ormestad (bass) and Erik Ljunggren (synth/programming).

Impressive video screen and visuals
(Picture by Paudie Fahey)

The stage had a large and impressive video wall at the back, featuring all new video content created by Norwegian director Knut A. Helgeland. The quality of the visuals and the live editing seems to be far beyond anything used on previous a-ha tours. Additionally, the show started with Michael Patterson’s original short-film Commuter (1981) being shown, leading into “Take On Me”.

On Facebook, Helgeland wrote about his experience of working on the video content for the last three months:

“For an old, true a-ha fan like myself, it’s fantastic to be able to work so freely on the visual world of a-ha. I feel that we’ve created something quite unique, it’s simple and honest, and a bit smart, I hope. With a lot of fantastic footage (some filmed by myself, a lot from good helpers) which looks magical on the large 10-bit screen.”

Pictures by Carlos Maciá (click to enlarge):

 
Reactions from the Dublin audience on social media have been overwhelmingly positive, regarding both the performance and the new visual design. Norwegian newspaper Dagsavisen had journalist Bernt Erik Pedersen at the concert, who gives it a 5/6 review: “Does this work as a stadium show? Absolutely. Is it an event? Certainly.”

Pedersen suggests that this album format is something they can continue doing: “With this “playing the whole album”-concept they can keep it going for at least another decade – I’d be happy to come see them do East Of The Sun, West Of The Moon in five or six years.”

Setlist (with YouTube-links):
1. Take on Me
2. Train of Thought
3. Hunting High and Low
4. The Blue Sky
5. Living a Boy’s Adventure Tale
6. The Sun Always Shines on TV
7. And You Tell Me
8. Love is Reason
9. I Dream Myself Alive
10. Here I Stand and Face the Rain
(Intermission)
11. Analogue
12. Foot of the Mountain
13. The Swing of Things
14. Crying in the Rain
15. Sycamore Leaves
16. Digital River
17. I’ve Been Losing You
18. Stay on These Roads
– – – – – – – – – – – –
19. Scoundrel Days
20. The Living Daylights

Thanks to all YouTube-uploaders.

The pre-show music included “Mount Joy” from the True August EP.

The a-ha merchandise in Dublin all seemed to be 80s nostalgia stuff, if you’re into that sort of thing. Not even one t-shirt with a current band photo. There is a tour programme, but it reportedly only contains photos by Just Loomis from the 80s and the tour credits. But signed copies of White Xmas Lies are for sale, both the vinyl and CD.

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