Posts Tagged ‘paul waaktaar-savoy’

Morten interviewed in VG

Picture from VG

VG’s paper edition has a 2-page interview with Morten today. Here is a translation of some of it:

You’ve made a quick return as a solo artist, even though you could have been resting on your laurels. Why do you keep going?

Because I want to! There’s still a lot left to do, I’m not finished with what music can provide.

How has the time been, since the last a-ha concert?

There was a great period of relaxation in January and February [2011]. But in March I was at it again. I couldn’t wait any longer. If I was going to continue, it didn’t need any pondering. It was time to start planning. The machinery was still warm, the system was up and running. So I didn’t want to wait until I became slow and lazy.

Are you still in contact with Paul and Magne?

It’s like usual. Which means never. No, just kidding, but we have been living so intensly on top of each other that now we’re in contact when it feels natural. It can be at one of Magne’s exhibitions. But we don’t write letters to each other. Magne writes an enormous amount of e-mail, but I never reply to e-mail. Paul and myself aren’t chit-chatting either. We’re grown men.

But those two will always be a huge part of your life?

Yes, we’re eternally connected. But we’re stubborn individuals, all three of us. We will always have a lot of respect for each other and everything we do individually. a-ha is a unique forum. You can’t take away any of us and still call it a-ha.

Paul has written many of the songs you have made classics. As a solo-artist, could you still have performed songs written by him?

Yes, I could. And songs written by Magne.

There isn’t any prestige in that?

No, definitely not. The prestige lies in choosing an interesting selection of material. And it’s even more interesting if you’re both the songwriter and the singer. But that’s often not the case, as well. Sometimes I write songs that would be better suited for someone else. That’s how it works when I’m choosing songs – I don’t look at who’s written them.

On the last a-ha tour you left most of the talking to Magne, you hardly spoke at all in between songs. How will that work on your solo tour?

I will have a live connection to Magne on stage, so he’ll still do all the talking!

Why is it that you don’t talk in between songs?

You’ve been to an a-ha concert. I’m standing there howling the whole evening! Enough is enough. No, just kidding. I mean, I don’t represent myself when I’m doing an a-ha concert. I’m representing the spirit of a-ha, which is neither Paul, Magne nor myself. It’s different from when I’m doing my own thing. So I think I’ll naturally be speaking more – I can’t possibly speak any less!”

New interview with Paul

Paul in his home studio 
(Picture by Lauren, from sonicscoop.com)

Music journalist David Weiss recently visited Paul in his home studio in SoHo, New York, to talk about his studio equipment and working methods. The interview has now been published on music website sonicscoop.com.

In the last few months, various equipment from Paul’s studio has appeared for sale on eBay. And in the interview he says that he’s indeed becoming more selective about his tools:

“10 years ago I had a Trident desk, every synth in the book, and gear up to the ceilings. Now it’s more computer-based, and I’m just trying to keep the stuff that we really love, and get breathing space.

It works a lot better. I like to experiment, but if you have too many things, you don’t get around to it. Synths with 15,000 presets becomes like Lord of the Rings – it’s endless.”

But he still has a lot of gear to help him create that special sound he’s looking for.

“Most of the stuff I write needs a certain atmosphere to work at all, so I’m very sensitive to achieving that for an instrument or vocal – I have to have that thing that gives me shivers. If I don’t feel it, we’ll work on something else. Obviously the performance is the most important thing, but you can help it along”, Paul says.

Read the whole article, which includes a lot of pictures from the studio, at sonicscoop.com.

Morten appears in Stargate documentary

Morten made a small appearance in a new documentary about Stargate that aired on NRK1 in Norway last night.

But those of you now eager to hear Morten’s views on the Goa’uld System Lords or Samantha Carter’s theories on wormhole physics, will be disappointed.

The documentary was actually about the Norwegian producer duo Tor Erik Hermansen and Mikkel Eriksen, also known as Stargate. Based in New York, they have enjoyed big success in the US in recent years, becoming the first Norwegians to top the Billboard Hot 100 since a-ha. Stargate have written and produced such #1 hits as “Irreplaceable” (Beyoncé), “Firework” (Katy Perry), “Rude Boy”, “Only Girl (In the World)” and “S&M” (Rihanna) and “Black and Yellow” (Wiz Khalifa).

“When these guys manage to top that chart, which is the most difficult chart in the world to enter and which is based on airplay/sales statistics among an enormous amount of people – that’s like the ultimate achievement, in competition with everyone else”, Morten says in the documentary.

“They’ve done something formidable, which should be celebrated”, he added.

As some of you may remember though, Morten and Magne have made less favourable comments on Stargate in the past.

“Personally, this is not music that I’ll care to spend any time on. Success on its own doesn’t impress me, but if on the other hand you’re successfull with something good, that will really impress me”, Magne told VG in 2006.

“There’s one side of the music business that’s pure industry, and one side that’s more focused on the musical content, and then you find yourself situated somewhere between those two extremes. a-ha and Stargate aren’t exactly positioned in the same place on that scale”, Morten said in the same 2006 interview.

As for Paul; as a fellow New Yorker, he is a good friend of the guys in Stargate. The song “Shadowside” on Foot Of The Mountain was written specifically for one of Stargate’s artists. Eventually it ended up as an a-ha song instead.

“But without Stargate I wouldn’t have written that song. I’m looking for challenges like that, as I’ll come up with material that I otherwise wouldn’t have written”, Paul said in 2009.

The Stargate documentary can now be seen on NRK’s web-TV, but only within Norway.

a-ha albums on Top 100 list

Earlier this year, weekly newspaper Morgenbladet asked 100 Norwegian musicians, including Magne, to each set up a list of their ten favorite Norwegian albums.

The goal was to name the 100 best Norwegian albums of all time. Starting back in August, a new album has been revealed almost daily at mbtopp100.no.

Last week the top ten albums were announced, with a-ha at number two and three:

1. Radka Toneff/Steve Dobrogosz: Fairytales (1982)
2. a-ha: Scoundrel Days (1986)
3. a-ha: Hunting High and Low (1985)
4. Kjøtt: Kjøtt (1979)
5. Knutsen & Ludvigsen: Juba Juba (1983)
6. The Aller Værste: Materialtretthet (1980)
7. deLillos: Suser avgårde (1986)
8. Röyksopp: Melody A.M. (2001)
9. Garbarek/Jarrett/Danielsson/Christensen: Belonging (1974)
10. De Press: Block To Block (1981)

Number one on the list, Radka Toneff, was a talented jazz singer who died in 1982, only 30 years old. Magne had her album Fairytales at number two on his personal list.

Bendel's book

In connection with Morgenbladet’s list, ten small books have been published – one book about each of the top ten albums.

German a-ha fan Larissa Bendel has written the book about Hunting High and Low, in which she provides a basic overview of the songs and the recording process. The interesting part of the book can be found in the last chapter, which includes new e-mail interviews with Magne and Paul. They talk about how they feel about Hunting High and Low 25 years later and how it was to perform the full album in Oslo and London last year.

Norwegian author Frode Grytten was asked to write the book about Scoundrel Days. He has approached the book project in a very different way and has chosen to write a collection of surreal short stories, loosely connected to a-ha, instead.

Grytten's book

Each story is named after a song on the album (translated into Norwegian). In one of the more amusing stories, “The Weight Of The Wind”, 48-year old Paul Waaktaar-Savoy meets 24-year old Pål Waaktaar on the New York subway. In “Soft Rains of April” a couple who first met at an a-ha concert in Paris in 1991 meet up again in Oslo in December 2010 after ten years to attend the final a-ha concert together.

“It’s all fiction. I was given complete artistic freedom to write whatever I wanted in connection with Scoundrel Days. (…) The book turned into different short stories, or moments in time, about how I’ve experienced the band and their songs”, Grytten said in a VG interview earlier this month.

Both books can be ordered from online store bokkilden.no – but be aware that they are written in Norwegian and don’t contain any pictures.

 

BTW, if you’re interested in seeing which albums Magne voted for, here is his own top 10 list:

1. Susanne Sundfør: The Brothel (2010)
2. Radka Toneff/Steve Dobrogosz: Fairytales (1982)
3. Magnet: On Your Side (2003)
4. Jan Garbarek: Dis (1976)
5. Kjøtt: Op. (1981)
6. De Press: Block to Block (1981)
7. Motorpsycho: Demon Box (1993)
8. deLillos: Hjernen er alene (1989)
9. Jan Eggum: Nesten ikke tilstede (1993)
10. Röyksopp: Melody A.M. (2001)

Morten: New tour dates and album info

Three new dates on Morten’s 2012 solo tour have been announced today:

29 April: Congress Center, Hamburg, Germany
3 May: Jahrhunderthalle, Frankfurt, Germany
8 May: Ancienne Belgique, Brussels, Belgium

Additionally, the concert venues in Munich and Berlin will be Kesselhaus and Tempodrom.

Tickets for Brussels go on sale November 10th, while tickets for all the German dates will go on sale November 11th.

 
There is also a new and official Morten Harket page on Facebook, which will provide news about the upcoming album and tour.

The page reveals that the album will include “one song by Will Young and possibly one or two songs by Paul Waaktaar-Savoy”.

It also states the first single is out in January or February, and that the album will be released by “Starwatch/Universal Germany in Eastern and Western Europe, as well as in South America”.

The Facebook page also confirms that Morten will be touring in South America next spring, as Harald Wiik has previously mentioned.

Paul turns 50

Paul Waaktaar-Savoy – the incredible songwriter and guitarist in a-ha, Savoy and now Weathervane, the live performer, vocalist, instrument collector, producer and visual artist – can celebrate his 50th birthday today, September 6th.

Happy Birthday, Paul!

(You can post your own birthday greetings to Paul on a-ha.com and on a-ha.com’s Facebook page)

More Weathervane promotion

On stage at the Amanda Awards

The Weathervane promotion in Norway continues. Today Paul and Jimmy appeared on P4’s morning radio show, where they performed another acoustic version of “Weathervane”.

A shortened MP3 podcast of the show can be downloaded here. The interview starts at 11:45 minutes.

 

In an interview with newspaper Bergensavisen Paul says that Frode Unneland, who played drums at the Amanda Awards on Saturday, could be joining Weathervane on a more permanent basis:

“Yes, that’s absolutely an option. He’s part of the family, after all. Frode is a fantastic guy, both as a musician and as a person.”

Frode himself wouldn’t mind doing more work with Weathervane:

“That would of course be interesting – it’s always fun to work with Paul”, he tells the newspaper.

He’s also looking forward to more Savoy:

“There will definitely be another Savoy-album, we just need to find time to do it”, Frode says.

Paul tells Bergensavisen that his unused a-ha songs could turn into Weathervane songs instead:

“I always have a bunch of material lying around and I may end up using the songs intended for a-ha in Weathervane. We have already tested out some stuff in the studio.”

He also hopes to do something with Weathervane in the US:

“That would have been really interesting. All of Jimmy’s contracts have been signed in the US and he has his whole network of contacts over there. For him it’s actually very exotic to be here in Norway.”

Weathervane interviewed in newspapers and radio

Picture from side2.no

Paul and Jimmy have continued promoting Weathervane in Norway this week.

Yesterday they were interviewed by NTB, Side 2 and Dagsavisen.

And this morning they were guests on NRK P3’s morning radio show, where they were interviewed, answered questions from the listeners and did an acoustic version of “Weathervane”.

The whole radio show can be downloaded as an MP3 podcast here. The interview (in English) starts at 29:30 minutes and lasts until 48:00 minutes. (The acoustic performance starts at 37:45).

Below are a selection of quotes from the various interviews:

Jimmy on the Amanda Awards performance:
“It was really exciting. When we stepped up there to do soundcheck, it felt like we’d been doing it for years together. It felt really natural. And I just looked to the side and felt like I was standing next to my brother, and we really had been doing it forever. I had to find my footing at first, when we started, but once we locked into it I felt really good.”

Paul:
“With Weathervane there is no pressure, no plans. It’s like resetting yourself and starting all over. A new spring – springtime in Paris! I’ve been there before and know the feeling.”

Jimmy on being compared to Morten:
“There are bound to be comparisons. I have always been a big fan of Morten. It’s flattering to be compared to him, but our voices are different.”

Picture: Universal promo

Paul on the song lyrics in “Weathervane”:
“We don’t have to analyze our own lyrics. But it’s actually a very domestic story about Lauren wanting to go to London for a week to spend some time alone.”

Paul on their international ambitions:
“The movie’s been sold to so many countries that now it’s just up to us how far we can take it”.

Jimmy on working with Paul:
“It feels really natural. I don’t know what it is, if it’s because of similar influences that we both had growing up, or that I’ve been influenced by Paul’s music as well, why it feels so natural to me. It’s like working on my own songs, it’s just the same. I feel completely at home with it, and connected to it all.”

Paul on Jimmy:
“Jimmy has a fantastic voice. It’s incredibe to hear when he starts the song and what he can do with it.”

Paul on future plans for Weathervane:
“Ideally we would love to have an album out around Christmas time, or after Christmas. You know, on stage in Haugesund I was like ‘Oh, this could actually be really cool’. I think we would both like to do festivals or something next year.”

“We’ll take one step at a time. We can easily put out three-four singles before the album is released. I like that kind of build-up.”

Paul on a-ha’s performance at the National Memorial Ceremony:
“Being asked to participate was a great honour. We said yes at once. It turned out to be a completely heartbreaking experience. I find it hard to describe with words. For me, music is what brings the most comfort.”

a-ha perform at National Memorial Ceremony

a-ha performed “Stay On These Roads” together with The Norwegian Radio Orchestra as part of the National Memorial Ceremony at Oslo Spektrum today, to remember the victims of the July 22nd attacks.

With them on stage they also had Karl Oluf Wennerberg on drums and Erik Ljunggren on keyboard. The song was arranged for orchestra by Kjetil Bjerkestrand.

If you missed the live broadcast, a-ha’s performance can be seen here. The whole 2-hour ceremony is available at nrk.no.

Weathervane at Amanda Awards

Weathervane did their first ever performance at the Amanda Film Awards in Haugesund last night. The award show is held in connection with the city’s annual international film festival.

Paul and Jimmy Gnecco were backed by three Savoy-musicians on stage; Frode Unneland on drums, Preben Grieg-Halvorsen on keyboard and Hågen Rørmark on bass.

The performance itself was all playback, except for Jimmy’s vocals, and the music video for the song was shown on a screen behind them.

The movie Hodejegerne, in which “Weathervane” is used, has its Norwegian premiere at the festival on Tuesday the 23rd.

Update: The performance is now up on YouTube here.

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